Showing posts with label film actors. Show all posts
Showing posts with label film actors. Show all posts

Wednesday, February 5, 2020

Eimer's 2020 Academy Award Picks

 

Well. Well. Well. Here we are again. And, after all of the awards shows and accolades have been announced, it's now my turn to make my Academy Award picks.

Just a note, I'm not that very good at this, as past year's picks have been very, very cruel to me. So take all of these choices with a grain of salt. If you give a shit, I'll update my official score on Monday. So check back in. Ta. Ta.

BEST PICTURE
"Ford v Ferrari"
"The Irishman"
"Jojo Rabbit"
"Joker"
"Little Women"
"Once Upon a Time...in Hollywood"
"Marriage Story"
"Parasite"
"1917"

ACTRESS IN A SUPPORTING ROLE
Kathy Bates, "Richard Jewell"
Laura Dern, "Marriage Story"
Scarlett Johansson, "Jojo Rabbit"
Florence Pugh, "Little Women"
Margot Robbie, "Bombshell"


ACTOR IN A SUPPORTING ROLE

Tom Hanks, "A Beautiful Day in the Neighborhood"
Anthony Hopkins, "The Two Popes"
Al Pacino, "The Irishman"
Joe Pesci, "The Irishman"
Brad Pitt, "Once Upon a Time..."


FOREIGN LANGUAGE FILM

South Korea, "Parasite"
Spain, "Pain and Glory"
France, "Les Misérables"
North Macedonia, "Honeyland"
Poland, "Corpus Christi"


DOCUMENTARY (SHORT)

"In the Absence"
"Learning to Skateboard in a Warzone (If You're a Girl)"
"Life Overtakes Me"
"St. Louis Superman"
"Walk Run Cha-Cha"


DOCUMENTARY FEATURE

"American Factory"
"The Edge of Democracy"
"Honeyland"
"For Sama"
"The Cave"


ORIGINAL SONG

"I'm Standing With You," "Breakthrough"
"Into the Unknown," "Frozen II"
"Stand Up," "Harriet"
"(I'm Gonna) Love Me Again," "Rocketman"
"I Can't Let You Throw Yourself Away," "Toy Story 4"


ANIMATED FEATURE FILM

"How to Train Your Dragon: The Hidden World"
"I Lost My Body"
"Klaus"
"Missing Link"
"Toy Story 4"


ADAPTED SCREENPLAY

"The Irishman"
"Jojo Rabbit"
"Little Women"
"The Two Popes"
"Joker"


ORIGINAL SCREENPLAY

"Marriage Story"
"Once Upon a Time in Hollywood"
"Parasite"
"Knives Out"
"1917"


ACTOR IN A LEADING ROLE

Antonio Banderas, "Pain and Glory"
Leonardo DiCaprio, "Once Upon a Time...in Hollywood"
Adam Driver, "Marriage Story"
Joaquin Phoenix, "Joker"
Jonathan Pryce, "The Two Popes"


ACTRESS IN A LEADING ROLE

Cynthia Erivo, "Harriet"
Scarlett Johansson, "Marriage Story"
Saoirse Ronan, "Little Women"
Renée Zellweger, "Judy"
Charlize Theron, "Bombshell"


DIRECTOR

Martin Scorsese, "The Irishman"
Quentin Tarantino, "Once Upon a Time in Hollywood"
Bong Joon-ho, "Parasite"
Sam Mendes, "1917"
Todd Phillips, "Joker"


PRODUCTION DESIGN

"Once Upon a Time in Hollywood"
"The Irishman"
"1917"
"Jojo Rabbit"
"Parasite"


CINEMATOGRAPHY

"1917"
"Once Upon a Time in Hollywood"
"The Irishman"
"Joker"
"The Lighthouse"


COSTUME DESIGN

"Once Upon a Time... in Hollywood"
"Little Women"
"The Irishman"
"Jojo Rabbit"
"Joker"


SOUND EDITING

"1917"
"Ford v Ferrari"
"Star Wars: The Rise of Skywalker"
"Once Upon a Time... in Hollywood"
"Joker"


SOUND MIXING

"1917"
"Ford v Ferrari"
"Once Upon a Time... in Hollywood"
"Ad Astra"
"Joker"


ANIMATED SHORT FILM

"Dcera (Daughter)"
"Hair Love"
"Kitbull"
"Memorable"
"Sister"


LIVE ACTION SHORT FILM

"Brotherhood"
"Nefta Football Club"
"The Neighbors' Window"
"Saria"
"A Sister"


ORIGINAL SCORE

"1917," Thomas Newman
"Joker," Hildur Guðnadóttir
"Little Women," Alexandre Desplat
"Marriage Story," Randy Newman
"Star Wars: The Rise of Skywalker," John Williams


VISUAL EFFECTS

"Avengers: Endgame"
"The Lion King"
"Star Wars: The Rise of Skywalker"
"The Irishman"
"1917"


FILM EDITING

"The Irishman"
"Ford v Ferrari"
"Parasite"
"Joker"
"Jojo Rabbit"


MAKEUP AND HAIRSTYLING

"Bombshell"
"Joker"
"Judy"
    "Maleficent: Mistress of Evil"
    "1917"

    Thursday, May 10, 2012

    Eimer’s Most Anticipated Summer Films of 2012


    There’s that certain je ne sais quoi when the flowers begin blooming, the sun is warming up the northern hemisphere, the young'uns anxiously awaiting the final school bell, the beer distributor's stocking up the Speedway's with Mickey's Malt Liquor …

    ….and let’s not forget the annual line-up of summer movies.

    Yes, my fair reader, it's that time of the year when everyone from 5- to 500- years old can act like a kid again and be wowed by insane special effects, snarky dialogue and big-ass explosions.

    So without further adieu, here are my personal most-anticipated summer films of 2012 (in order of premiere)...

    Oh, just a word, although my list has included some of the top special-effects-laden-bubble-gum-popcorn-stuffing-in-your-mouth picks that all of you have been accustomed to for so many summers of yore, I thought I'd also toss in a couple, under-the-radar films that you may want to toss into your Netflix queue.

    AVENGERS (May 4)
    HULK SMASH!!! I just saw this film last night. If you like summer movies, superheroes or simply film theory in general, just go see this movie. It’s fun, smart, witty and action-packed. It’s, dare I say, the prime prototype of how to create a fun, special-effects-laden summer movie. Joss Whedon has done the film geeks good! This one is worth every penny for a babysitter. Or, hell, if they're over 7-years-old, bring them along. They'll only have nightmares for only a couple weeks.

    GOD BLESS AMERICA (May 11)
    Bobcat Goldthwhait (yes from Police Academy 2 fame) writes and directs this dysfunctional film about a man who’s pissed off with the world and is not going to take it anymore. And, judging by the trailer, it looks a lot more fun than Kevin Smith’s DOGMA. And, by judging from Bobcat’s previous work (including WORLD'S GREATEST DAD and SHAKES THE CLOWN) this road trip, violent, dark comedy-esque NATURAL BORN KILLERS looks like a helluva ride. Starring Joel Murray, Bill Murray’s brother who made his big screen acting debut in another Goldthwaite vehicle…One Crazy Summer.

    MOONRISE KINGDOM (May 25)
    After tackling animation two years ago with the superb THE FANTASTIC MR. FOX, Wes Anderson is back with a live-action film (his last was 2009’s THE DARJEELING LIMITED). In my opinion, this film – a Romeo and Juliet love story set amongst summer camps - looks fun, fresh and entertaining. However, one of my buddies sent me a post on Facebook that read: ‘OK, Royal Tannenbaums was a surprise. But then, the Life Aquatic got boring, quickly. Rushmore virtually unwatchable. From the looks of this trailer, it's an uninspired hodgepodge of quirky characters all acting like all the other characters in Anderson's films -- so, so predictable. And not funny. Seriously not funny. Poker faced kid actors repeating droll, witty lines ad finitum? Seen it once, got it. Not again and again.’ Meh. Although it’s a funny manifesto, I’m going against his better judgement and going to see this film. But that's just me. Truth be told, I would like to live in a world created by Anderson.

    SNOW WHITE & THE HUNTSMAN (June 1)
    In a slight twist to the fairy tale (and the Disney animated classic), the Huntsman, who is ordered by the Evil Queen to take Snow White into the woods and kill her, instead becomes her protector. Directed by relatively unknown Rupert Sanders (Just how unknown is he? Check out his IMDB file) the movie looks like a mix between the look and feel of HOW TO TRAIN YOUR DRAGON, the action of CLASH/WRATH OF THE TITANS and the fantasy-mystique of the Tony Scott/Tom Cruise fantasy vehicle LEGEND. And the trailer seems to be hiding the dwarves. There are seven dwarves right? The art direction looks fantastic by the way.

    PROMETHEUS (June 8)
    An Alien prequel from the guy that directed the original ALIEN (Ridley Scott), written by one of the guys that brought us LOST (Damon Lindelof)? Excuse me, but I’m scheduling a babysitter right now.

    SAFETY NOT GUARANTEED (June 8)
    After seeing the trailer, I’m thinking a mix of BACK TO THE FUTURE, HAPPY ACCIDENTS and RADIO FLYER – the movie is about a reporter and two interns who head out on an assignment to interview a guy who places a CraigsList Ad seeking a companion for time travel.

    TO ROME WITH LOVE (June 22)
    You can’t deny Woody Allen is on a roll. Hell, the man has been on a roll for the past 25+ years cranking out one superb movie (well, that’s debatable) after another every single year…and then some. In any event, not only is Woody behind the camera, but he also wrote a little something for himself as well. After the success of last year’s Academy Award-winning MIDNIGHT IN PARIS (Best Original Screenplay), I’m looking forward to this film immensely. And, hey, did I see Academy-Award winning actor Roberto Benigni in the trailer as well?

    ABE LINCOLN – VAMPIRE HUNTER (June 22)
    Okay, this movie could really, really suck. Or really, really be a lot of fun. Directed by Timur Bekmambetov (who directed the NIGHTWATCH/DAYWATCH movies as well as WANTED), I’m putting this on my B-movie selection of possible dark-horse, break-out summer movie candidate. Judge for yourself. Daniel Day Lewis, eat your heart out!

    BRAVE (June 22)
    After a Cars2 debacle, PIXAR looks to be back to form in what appears to be an interesting film with a female protagonist leading one of their films, which – correct me if I’m wrong - hasn’t happened in a Pixar film to date.

    THE SAVAGES (July 6)
    Every year, I take off my birthday and go on a long early-morning run to think about the year that was Then, I get some lunch at a local BW3, get half-in-the-bag drunk and go see a movie in the afternoon. This year, I'll more than likely go see BRAVE. However, Writer/Director Oliver Stone’s newest movie that isn't an biopic will be second on my list during my big 4-0. Hopefully it’s a return to vintage Stone. With a talented cast, it looks fairly interesting. The movie looks like some sort of TRUE ROMANCE redux...not that there's anything wrong with that.

    BEASTS OF THE SOUTHERN WILD (July 6)
    On the opposite end of spectrum in comparison to THE AVENGERS is this little film that could. Directed by first-time feature director Benh Zeitlin, Beasts tells the story of a young girl named Hushpuppy who goes on a fantastical adventure in search of her mother all the while dealing with prehistoric creatures, her ailing father and the end of the world. This movie has been winning every major award on the film festival circuit. And, judging by the trailer, could be really, really great…or a really, really big letdown. I’m foreseeing the former.

    THE QUEEN OF VERSAILLES (July 6)
    Thought I would choose one documentary to highlight. And thisone, sort of, looks like a doozy. It follows the highs and lows of a billionaire couple (Jackie and David Siegel) who live in a 90,000-square-foot mansion, which was built on money funded by the time-share industry.

    DARK KNIGHT RISES (July 20)
    Christopher Nolan. Christian Bale. Bane. A naked Anne Hathaway (just kidding.). How can you not have this final Batman installment from one of the best directors of our time on your list? Also if you're interested in looking at a nude Hathaway, check out BROKEBACK MOUNTAIN, LOVE AND OTHER DRUGS and RACHEL GETTING MARRIED. (I’m sure there are others, right Mr. Skin?).

    360 (August 3)
    This movie takes a 360-degree look (get it?) at what happens when partners from different social backgrounds engage in sex. Acted by top names including Anthony Hopkins, Rachel Weisz and Jude Law. Directed by the guy who brought us CITY OF GOD, THE CONSTANT GARDENER and BLINDNESS. Written by the guy who brought us FROST/NIXON, THE QUEEN and THE LAST KING OF SCOTLAND. Could be a downer of a movie. But a helluva downer of a movie.

    THE CAMPAIGN (August 10)
    Will Ferrell and Zach Galifinakis come together to make fun of politics. Written by EASTBOUND AND DOWN scribers Chris Henchy and Shawn Harweel and directed by Jay Roach (MEET THE FOCKERS/PARENTS and MYSTERY, ALASKA). Could be funny like STEP BROTHERS. Could not be funny, like SEMI-PRO.

    PARANORMAN (August 17)
    Another possible stop-motion visually masterpiece, this time directed by Chris Butler (who worked next to master animator Henry Selick in the animated gem CORALINE as well as CORPSE BRIDE) and Sam Fell (who did the underwhelming FLUSHED AWAY and THE TALE OF DESPEREAUX).

    PEACE, LOVE AND MISUNDERSTANDING (September 14)
    I’m a sucker for fish-out-of-water dysfunctional family road trip movies such as ABOUT SCHMIDT, NATIONAL LAMPOON'S VACATION, LITTLE MISS SUNSHINE, THE FAMILY STONE and let's not forget PIECES OF APRIL. That’s why this film, about an uptight lawyer (Catherine Keener) who takes her two teenagers to visit her hippie mother's (Jane Fonda) farmhouse in upstate New York, looks so damn fun. I’m thinking ON GOLDEN POND meets WANDERLUST meets FLIRTING WITH DISASTER. The actors look top notch. Plus it’s directed by Bruce Beresford who brought us DRIVING MISS DAISY.

    Well, that’s the list. I’m curious of which films you're looking forward to seeing and which films can be thrown into the proverbial dirty diaper bin (aka Your Netflix Queue).


    Oh, what's that you way?


    How can a superhero-loving movie nerd leave out THE AMAZING SPIDERMAN on his list? Well, truth be told, I'm actually not looking forward to this new Spider entry at all. Matter of fact, when I was viewing the trailer for the new SpiderMan prior to the Avengers, my buddy yelled out 'SPIDER-EMO!' in the theater. Well, not really, he whispered it to me. But he should have yelled it. However, I do agree. This movie is just a mindless rehash to make more money for the Marvel universe and the SpiderMan franchise. Nothing new here. Screw The Lizard, and definitely screw SpiderEmo.


    Also, if you liked this post, check a couple somewhat-related blog entries:
    SUMMER MOVIES AND BEING A KID
    SHOW ME THE BLOODY!

    Wednesday, February 9, 2011

    My 2010 Academy Awards Picks

    Okay, well the Academy has spoken and I can honestly say - besides John Hawkes getting a nomination for Winter's Bone - the nominations weren't really very surprising.

    If you read this blog, you'll know that I pick with my gut, this instance, this instance and this instance, which isn't a very good thing if you've ever watched such a political spectacle as the Academy Awards.

    Which reminds me of a story....

    About a week ago I was talking to my father-in-law who is also a pretty big movie buff. We got to talking about the Best Picture nominees. He's seen all of them except for Toy Story 3.

    I asked him which movie did he think would take home the Oscar.

    "King's Speech," he said without hesitation.

    "Really," I said. "Seems like Social Network is gaining some steam as well."

    "Meh," he said. "It's not going to to win."

    "Why not?" I asked.

    "Well, let me tell you how it is," he said taking a swig of his Budweiser can. "That Zuckerberg guy was an asshole in the beginning of the movie and he turned out to be a billionaire asshole at the end of the movie."

    "Yeah," I asked, wanting more.

    "The King's Speech makes you feel good at the end," he said proudly. "It made you happy when you left the theater. It made you feel like you could take on the world."

    All was quiet for a couple seconds. Then he spoke up.

    "Don't know about you, but I like to feel like I can take on the world when I leave the theater."

    So, with that story in mind, I'm going to give it my best shot this year and, this year, not going with my gut but what's going to be probable.

    BEST PICTURE - THE KING'S SPEECH
    I hope this is Fincher's year. Additionally, with BLACK SWAN, WINTER'S BONE, TRUE GRIT and even TOY STORY 3 up for the honors - it's a tough one. With Hooper being awarded Best Director for KING'S SPEECH, I'm going with the odds and saying this will win Best Picture. But, personally, I felt THE SOCIAL NETWORK was the pick of the litter with BLACK SWAN a strong second.

    BEST ACTOR - COLIN FIRTH - THE KING'S SPEECH
    I just can't see anyone else winning this but Firth.

    BEST ACTRESS - NATALIE PORTMAN - BLACK SWAN
    Bening's performance was flawless (which makes me scratch my head right now), but I think Bening was more of supporting role working of the likes of Mark Ruffalo and Julienne Moore. Portman had to carry the entire movie. I would like to see Lawrence win for WINTER'S BONE. But that's not going to happen. Next.

    BEST ACTOR IN A SUPPORTING ROLE - CHRISTIAN BALE - THE FIGHTER
    This will be a salute to Bale's fine catalogue of work in a number of crazy-ass movies from THE DARK KNIGHT all the way to THE MECHANIC - and everything in between.

    BEST ACTRESS IN A SUPPORTING ROLE - MELISSA LEO - THE FIGHTER
    Now, if Bening was in this category, I'd say it was a no-brainer. That said, I was on the fence. Hailee Steinfeld did a respectable job for her role as the young daughter looking for a little payback to the people who killed her father. However, Melissa Leo will probalby win. She won the Golden Globe and the Screen Actor's Guild Award. I'm picking her.

    BEST ANIMATED PICTURE - TOY STORY 3
    One of the best movie's of the year. However, How To Train Your Dragon was a helluva film and picked up a shitlod of awards at last week's Annie Awards. This may be a gut pick, but fuck it.

    BEST DIRECTOR- - TOM HOOPER - THE KING'S SPEECH
    I thought this would be Fincher's year. What's great abouth his direction in this film is that it's so under the radar. Besides Sorkin's screenplay, he created the mood and the tone that made this near-flawless film come to life. However, the Director's Guild already awarded Hooper for his work. The stats don't lie. Only six times, has the DGA winner not won the Academy Award. Bummer.

    BEST ORIGINAL SCREENPLAY - THE KIDS ARE ALL RIGHT, Lisa Cholodenko & Stuart Blumberg
    I'm alwayins hearing good things about ANOTHER YEAR, THE FIGHTER and INCEPTION (the most original story of the year). However, more original screenplay winners are usually acting gems, that's why I think it's a toss-up between the two big guns in THE KING'S SPEECH and THE KIDS. My gut says the Kids!

    BEST ADAPTED SCREENPLAY - THE SOCIAL NETWORK - AARON SORKIN
    I think Toy Story 3's screenplay is vastly underrated. But it won't win. Winter's Bone is fantastic as well. But it won't win. Give this one to Sorkin to create a whirlwind of a movie with witty dialogue, flashbacks aplenty and making a movie about a computer program so goddamn intense.

    BEST FOREIGN LANGUAGE FILM - DOGTOOTH
    Haven't seen any of these except for DOGTOOTH. But I would say it's a toss-up between BIUTIFUL and DOGTOOTH. I'm going with the latter. DOGTOOTH is one of the craziest most original films I've seen. I hear Biutiful is a sob fest. 

    BEST ACHIEVEMENT IN CINEMATOGRAPHY - ROGER DEAKINS - TRUE GRIT
    Let's look at some of the highpoints of Roger Deakin's resume shall we...THE SHAWSHANK REDEMPTION, O' BROTHER WHERE ART THOU, THE ASSASINATION OF JESSE JAMES, A BEAUTIFUL MIND, FARGO, REVOLUTIONARY ROAD, JARHEAD...among others. It's about time this guy got his just desserts.

    BEST DOCUMENTARY FEATURE - Restrepo (National Geographic Entertainment) - An Outpost Films Production Tim Hetherington and Sebastian Junger
    Loved Exit Through the Gift Shop. Would like to see Banksy show up to win this award. However, in my mind, it wasn't a 100% documentary. More like 50% documentary. 50% Spinal-Tap esque mockumentary. Plus, Restrepo was one of the most powerful movies that I saw last year. Check it out.

    BEST DOCUMENTARY SHORT SUBJECT - Strangers No More - A Simon & Goodman Picture Company Production Karen Goodman and Kirk Simon
    Killing In The Name is about a Muslim speaking out on Terrorism. Poster Girl is a movie about an former soldier speaking out on guns. Strangers No More is about a grade school in Tel Aviv featuring children from 48 different countries.  Sun Come Up is about a group of people who live on an island and are forced to flee their land due to global warming.The Warriors Of Qiugang is like the movie Erin Brokovich but it takes place in China.  I'm going for Strangers because it spreads a message of hope rather than heartache.


    BEST ACHIEVEMENT IN FILM EDITING - 127 Hours (Fox Searchlight) Jon Harris
    I've never lost in successfully picking this category. Never. That said, I have a feeling it's going to be a three-way between Black Swan, The Social Network and 127 Hours. Due to the subject content and the rapid fire-editing that's been accustomed to Danny Boyle's style, I'm going with 127 HOURS. I mean, how on earth do you make a guy who's arm is stuck to a rock interesting for 2 hours? Boyle, and his editor, succeeded.

    ACHIEVEMENT IN VISUAL EFFECTS - Inception (Warner Bros) - Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
    I just can't see anyone else winning this. ALICE IN WONDERLAND was grand, but.....

    BEST ACHIEVEMENT IN ART DIRECTION - Alice in Wonderland (Walt Disney) - Production Design: Robert Stromberg, Set Decoration: Karen O'Hara
    Although this made some people's 10 worst list (not mine), I think Alice in Wonderland had some strong points, the Art Direction and Costumes were at the very top.

    BEST ACHIEVEMENT IN COSTUME DESIGN - Alice in Wonderland (Walt Disney) - Colleen Atwood
    See Art Direction above.

    BEST ACHIEVEMENT IN MAKEUP - The Wolfman (Universal) Rick Baker and Dave Elsey
    I've been a Rick Baker fan ever since he won his first Academy Award for AN AMERICAN WEREWOLF IN LONDON. Finally got to see The Wolfman last week on HBO. Ironic he's going to win another OSCAR for another interpretation of his masterpiece.

    BEST ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE) - The Social Network (Sony Pictures Releasing) - Trent Reznor and Atticus Ross
    Just a hunch. Another gut pick because I love Nine Inch Nails.

    ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG) - “We Belong Together” from Toy Story 3 (Walt Disney) - Music and Lyric by Randy Newman
    Everyone loves Randy Newman. That's why I think he'll win his second Academy Award for another great Toy Story song.

    BEST ANIMATED SHORT FILM - Day & Night (Walt Disney) - A Pixar Animation Studios Production Teddy Newton
    I viewed all of the Animated Short Film nominees except for Let's Pollute (which is a cool idea for some sort of online infomercial). In my opinion, it's going to come down to three. Although I loved Let's Pollute, I think Day & Night, The Gruffalo and The Lost Thing are heads and tails above the rest. The Lost Thing, based on a children's book by Shaun Tan, looks like the biggest contender. However, Day & Night was just a great idea, I can't see anyone else winning this. Unless, the Academy is sick of giving awards to Pixar.


    BEST LIVE ACTION SHORT FILM - Na Wewe (Premium Films) - A CUT! Production Ivan Goldschmidt
    I thought Na Wewe was the best acted out of all the other shorts (which is what I would go by if I were judging). However, I would also give a nod to God of Love for it's black and white sleek look.

    ACHIEVEMENT IN SOUND EDITING - Inception (Warner Bros) - Richard King
    Just because.

    ACHIEVEMENT IN SOUND MIXING - Inception (Warner Bros) - Lora Hirschberg, Gary A. Rizzo and Ed Novick
    Just because. (See Sound Editing).

    Well, there you have it. Tune in on Monday morning after the Oscars to see how I did. Feel free to use these picks for your ballots. I'm sure you'll win some cash.