Showing posts with label Academy Awards. Show all posts
Showing posts with label Academy Awards. Show all posts

Friday, March 2, 2018

Eimer's Academy Awards Picks - 2018 Edition

 

Wow, I almost wasn't able to get my list out, breaking an annual tradition since starting this blog back in 2006. Whew!!

In any event, here are my picks for Hollywood's biggest night. I'm feeling the love for 'Shape of Water' and 'Three Billboards'. I'll post a rundown on Monday.

Here's ya go. Tell me what you think:

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Best Picture: The Shape of Water
I like “Three Billboards’ chances, but am leaning to Shape because we need a feel-good horror movie. 

Lead Actor: Gary Oldman, “Darkest Hour’
Hey, Daniel Day-Lewis could win for Phantom Thread. But he won’t because Gary’s won all of the awards for his role as Winston Churchill

Lead Actress: France McDormand “Three Billboards”
Same goes for Frances. She’s won every major award including Screen Actor’s Guild.

Supporting Actor: Sam Rockwell “Three Billboards”
Picking Sam as well on this since he’s won every other major acting award for his role. Can’t really see anyone else winning this one.

Supporting Actress: Allison Janny, “I, Tonya”
I thought she was great. I also thought Laurie Metcalf and Octavia Spencer were as well. But, I’m going with Janny for her transformative performance as Tonya Harding’s mother.

Director: Guillermo Del Toro, “The Shape of Water”
He won director’s guild award. So he’s going to win this.

Animated Feature: “Coco,” Lee Unkrich, Darla K. Anderson
I’m hearing good things form Loving Vincent, but haven’t seen it. I’ll stick with Pixar. 

Animated Short: “Dear Basketball,” Glen Keane, Kobe Bryant

Adapted Screenplay: “Mudbound,” Virigl Williams and Dee Rees
Disaster Artist could win. I really enjoyed Logan and it would be cool to see a superhero script win, but I’m going with Mudbound.

Original Screenplay: ‘Lady Bird’, Greta Gerwig
I enjoyed The Big Sick, Shape of Water, and Get Out, but I think Gerwig’s coming-of-age dramedy is pretty, pretty slick.

Cinematography: Roger Deakins, ‘Blade Runner 2049’
Roger Deakins has been the Director of Photography on Skyfall, No Country for Old Men, Prisoners, O Brother Where Art Thou?, The Shawshank Redemption, Fargo, among others. But he’s never won an Academy Award. This year, he will.

Best Documentary Feature: “Last Men in Aleppo" 

Best Documentary Short Subject: “Knife Skills,” Thomas Lennon
It’s was shot in Cleveland, so I have to pick this.

Best Live Action Short Film: “The Eleven O’Clock."

Best Foreign Language Film: “Loveless” (Russia)

Film Editing: “I, Tonya,” Tatiana S. Riegel
Really loved the back and forth editing between the overall plot and the interview sessions. Hopefully the Academy agrees.

Sound Editing: “Dunkirk,” Alex Gibson, Richard King

Sound Mixing: “Baby Driver"

Production Design: "The Shape of Water"
Toss up between Shape and Blade Runner. I’m going with Shape since it’s going to win best picture.

Original Score: “Dunkirk,” Hans Zimmer
I loved Zimmer’s score. Others hated it. Who knows? Maybe Phantom Thread will win.

Original Song: “This Is Me” from “The Greatest Showman,” 
This is my cold-stone lock. Bet this one in Vegas.

Makeup and Hair: “Darkest Hour,” 

Costume Design: “Phantom Thread,” Mark Bridges

Visual Effects: “Blade Runner 2049"

Tuesday, February 21, 2017

Eimer's 2017 Academy Awards Picks


Personally, I liked La La Land. Liked. Liked. 

But, I'm not an idiot, either.

I've learned that you can hope for your favorite movie to win (ahem, Arrival), 
but it's probably not going to win - especially if you look at the awards that led 
up to this grand spectacle (i.e. Producers Guild, Screen Actor's Guild, Golden Globes, 
Director's Guild, etc.).

Considering all of those previous La La wins, I picked La La Land to win 8
Academy Awards this year. That said, here are my picks in this
better-late-than-never Oscars edition.

Let's see how I did on Monday! See you then. 

Best picture:
“Arrival”
“Fences”
“Hacksaw Ridge”
“Hell or High Water”
“Hidden Figures”
“La La Land”
“Lion”
“Manchester by the Sea”
“Moonlight"

Lead actor:
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land,”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”

Lead actress:
Isabelle Huppert, “Elle”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”

Supporting actor:
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Michael Shannon, “Nocturnal Animals”

Supporting actress:
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”

Best director:
“La La Land,” Damien Chazelle
“Hacksaw Ridge,” Mel Gibson
“Moonlight,” Barry Jenkins
“Manchester by the Sea,” Kenneth Lonergan
“Arrival,” Denis Villeneuve

Animated feature:
“Kubo and the Two Strings,” Travis Knight and Arianne Sutner
“Moana,” John Musker, Ron Clements and Osnat Shurer
“My Life as a Zucchini,” Claude Barras and Max Karli
“The Red Turtle,” Michael Dudok de Wit and Toshio Suzuki
“Zootopia” 

Animated short:
“Blind Vaysha,” Theodore Ushev
“Borrowed Time,” Andrew Coats and Lou Hamou-Lhadj
“Pear Cider and Cigarettes,” Robert Valley and Cara Speller
“Pearl,” Patrick Osborne
“Piper” 

Adapted screenplay:
“Arrival,” Eric Heisserer
“Fences,” August Wilson
“Hidden Figures,” Allison Schroeder and Theodore Melfi
“Lion,” Luke Davies
“Moonlight,” Barry Jenkins

Original screenplay:
“20th Century Women,” Mike Mills
“Hell or High Water,” Taylor Sheridan
“La La Land,” Damien Chazelle
“The Lobster,” Yorgos Lanthimos, Efthimis Filippou
“Manchester by the Sea,” Kenneth Lonergan

Cinematography:
“Arrival,” Bradford Young
“La La Land,” Linus Sandgren
“Lion,” Greig Fraser
“Moonlight,” James Laxton
“Silence,” Rodrigo Prieto

Best documentary feature:
“13th,” Ava DuVernay, Spencer Averick and Howard Barish
“Fire at Sea,” Gianfranco Rosi and Donatella Palermo
“I Am Not Your Negro,” Raoul Peck, Remi Grellety and Hebert Peck
“Life, Animated,” Roger Ross Williams and Julie Goldman
“O.J.: Made in America.” 

Best documentary short subject:
“4.1 Miles,” Daphne Matziaraki
“Extremis,” Dan Krauss
“Joe’s Violin,” Kahane Cooperman and Raphaela Neihausen
“Watani: My Homeland” 
“The White Helmets,” Orlando von Einsiedel and Joanna Natasegara

Best live action short film:
“Ennemis Interieurs,” Selim Azzazi
“La Femme et le TGV,” Timo von Gunten and Giacun Caduff
“Silent Nights"
“Sing,” Kristof Deak and Anna Udvardy
“Timecode,” Juanjo Gimenez

Best foreign language film:
“A Man Called Ove,” Sweden
“Land of Mine,” Denmark
“Tanna,” Australia
“The Salesman,” Iran
“Toni Erdmann,” Germany

Film editing:
“Arrival,” Joe Walker
“Hacksaw Ridge,” John Gilbert
“Hell or High Water,” Jake Roberts
“La La Land” Tom Cross
“Moonlight,” Nat Sanders and Joi McMillon

Sound editing:
“Arrival,” Sylvain Bellemare
“Deep Water Horizon,” Wylie Stateman and Renee Tondelli
“Hacksaw Ridge"
“La La Land” 
“Sully,” Alan Robert Murray and Bub Asman

Sound mixing:
“Arrival,” Bernard Gariepy Strobl and Claude La Haye
“Hacksaw Ridge”
“La La Land”
“Rogue One: A Star Wars Story,”
“13 Hours: The Secret Soldiers of Benghazi,”

Production design:
“Arrival,” Patrice Vermette, Paul Hott
“Fantastic Beasts and Where to Find Them,” Stuart Craig, Anna Pinnock
“Hail, Caesar!,” Jess Gonchor, Nancy Haigh
“La La Land”
“Passengers,” Guy Hendrix Dyas, Gene Serdena

Original score:
“Jackie,” Mica Levi
“La La Land,” Justin Hurwitz
“Lion,” Dustin O’Halloran and Hauschka
“Moonlight,” Nicholas Britell
“Passengers,” Thomas Newman

Original song:
“Audition (The Fools Who Dream),” “La La Land” — Music by Justin Hurwitz; 
“Can’t Stop the Feeling,” “Trolls” — Music and Lyric by Justin Timberlake
“City of Stars,” “La La Land”
“The Empty Chair,” “Jim: The James Foley Story” 
“How Far I’ll Go,” “Moana” 

Makeup and hair:
“A Man Called Ove,” Eva von Bahr and Love Larson
“Star Trek Beyond,” Joel Harlow and Richard Alonzo
“Suicide Squad,”

Costume design:
“Allied,” Joanna Johnston
“Fantastic Beasts and Where to Find Them,” Colleen Atwood
“Florence Foster Jenkins,” Consolata Boyle
“Jackie,” Madeline Fontaine
“La La Land,” Mary Zophres

Visual effects:
“Deepwater Horizon,” 
“Doctor Strange,” 
“The Jungle Book” 
“Kubo and the Two Strings,” 
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“Rogue One: A Star Wars Story,”

Monday, February 29, 2016

Academy Awards Post Mortem (15-9)

Not too many surprises during last nights' Academy Awards. 

I finished with a modest 15-9 win-loss ratio. 

Had I went with my gut on sound and visual effects and would have went with the top picks for supporting actor, I would have had the best showing ever since I've been keeping track of this stuff.

In any event, happy with Mad Max showing. It's a tip of the hat to George Miller. You could tell all of the winners truly love him as a director and person. Haven't seen Spotlight, but I picked it to win based on conversations with people who have seen it and, of course, Rotten Tomatoes. Being a former journalist, I've got to see this. 

Later!


WON: 15
BEST PICTURE - Spotlight
ACTOR IN A LEADING ROLE Leonardo DiCaprio, The Revenant
ACTRESS IN A LEADING ROLE Brie Larson, Room
ANIMATED FEATURE FILM - Inside Out
CINEMATOGRAPHY - The Revenant
COSTUME DESIGN - Mad Max: Fury Road The Revenant
DIRECTING - The Revenant
FILM EDITING - Mad Max: Fury Road
FOREIGN LANGUAGE FILM - Son of Saul
MAKEUP AND HAIRSTYLING - Mad Max: Fury Road
MUSIC (ORIGINAL SCORE) - The Hateful Eight
MUSIC (ORIGINAL SONG) - “Writing’s On The Wall,” Spectre
PRODUCTION DESIGN - Mad Max: Fury Road 
WRITING (ADAPTED SCREENPLAY) - The Big Short
WRITING (ORIGINAL SCREENPLAY) - Spotlight

LOST: 9
ACTOR IN A SUPPORTING ROLE - Sylvester Stallone, Creed (Winner: Rylance)
ACTRESS IN A SUPPORTING ROLE - Jennifer Jason Leigh, The Hateful Eight (Winner: Vikander)
DOCUMENTARY (FEATURE) - Cartel Land (winner: Amy)
DOCUMENTARY (SHORT SUBJECT) - Last Day of Freedom (Winner: Girl in the River)
SHORT FILM (ANIMATED) - World of Tomorrow (Winner: Bear)
SHORT FILM (LIVE ACTION) - Ave Maria (Winner: Stutterer)
SOUND EDITING - Star Wars: The Force Awakens (Winner: Mad Max)
SOUND MIXING - Star Wars: The Force Awakens (Winner: Mad Max)
VISUAL EFFECTS - Star Wars: The Force Awakens (Winner: Ex Machina)