Showing posts with label films. Show all posts
Showing posts with label films. Show all posts

Monday, January 6, 2014

Eimer's Best Movie Experiences of 2013


It was a good year for films. I was finally able to catch up with all of the 2012 Academy Award nominees (and winners), was mildly entertained by the summer crop of films and have seen a modest amount of Autumn awards bait to roll in this past November and December – not to mention some movies that have hung out for years in my Netflix queue.

That said, here is a list of my 10 best movie experiences of 2013. Keep in mind, some of these were released in 2012. Plus, I haven’t seen many of the critical darlings including Her, Blue Jasmine, The Act of Killing, Captain Phillips, Philomena 12 Years a Slave, Rush, Dallas Buyers Club, All Is Lost, American Hustle, Inside Llewyn Davis and Frozen – but I plan to.

Also, for those that do not know, please follow my One Sentence Movie Reviews on Twitter. I try to update both old and new movies during the week. 300 posts, and counting.

So, without further adieu (and in no particular order)

One of the better thrillers I've seen in quite some time. This kept me scratching my head from the very beginning. Very dark. Very disturbing. A slight nod to SILENCE OF THE LAMBS. With lots of great acting mixed in. Can't talk enough about the acting in particular Jackman, Gyllenhaal the rest of the supporting cast. Like I said, very tough to watch at times, but a very through-provoking movie about the extent that a family will go to get the answers they need to finally sleep at night. Great editing and direction that continues all the way to the surprise ending.

Jackson, once again, takes us into the world of Middle Earth and mesmerizes with great acting, direction and - yes - special effects. I now see what he's trying to do with the movies. Trying to mend and mold them into a masterful six-part series - and it's working. I'm a fan of the heroes journey adventures and this does not disappoint with twists and turns and plenty of action along the way. And that includes the final scenes with the pompous, prideful dragon Smaug rolling around in his coins and treasures like Scrooge McDuck from Duck Tales. Just a fine movie that sets up a fantastic intro to the final film. Hats off to cinematography, editing, art direction and VFX teams as well for bringing this fantastic land to life. One of the best movies of the year that deserves to be seen in the theater with the full 3D treatment. If I had one little complaint, it would have been to cut it down by 20 minutes. But that's just a minor complaint. Check 'er out nonetheless.

You won't want to visit Sea World again after you view this fantastic documentary. Much like the Academy Award winning 'The Cove', this documentary focuses it's lens not on dolphins, but instead on killer whales in captivity with some crazy unsettling video footage. I personally visited Sea World twice when I was young. I really didn't know any better. But, after watching this documentary (which Sea World refused to be interviewed for by the way) my kids will not step foot in the place. I'm sure a high percentage of people that view this doc will also think twice. Very thought-provoking insights, interviews and great direction by Cowperthwaite. This is a film, which should be nominated - if not win - a best documentary feature Academy Award. Well, it looks like The Act of Killing is growing momentum. But, check this one out nonetheless – and cancel those plans to Sea World while you’re at it.

What GOODFELLAS did for the mafia and violence, this movie does for sex, drugs and penny stocks. Just a great film from start to finish. Sure, it's a bit risque and I'm sure the religious and conservative people in the audience will find plenty of fault with it. But what I watched was a non-stop experiential rat-a-tat-tat-tat film that clipped along like a machine gun. Great editing, great direction, great shot-selection, and the acting; the acting was simply phenomenal with DiCaprio leading the charge for some sort of award. He does a fantastic job that’s both entertaining, filled with tension and laugh-out-loud funny. And let's not forget Jonah Hill and the rest of the rowdy bunch. What a great film. Possibly the best of the year! Check 'er out.

Loved this film. THE SHINING sits in my top ten films of all time. So, to say I was very intrigued and wanted to see this movie was an understatement. The director does not disappoint as he finds these interesting people telling their interesting crazy theories on The Shining. The crazy thing is, they're all freaking plausible. I personally love the idea of the MInotaur and Theseus. Shucks, from the Trail of Tears theory to the Moon landing being faked - I loved all of them. This just goes to show the power of cinema and the different reactions you will get to popular, cult films. Fans of Kubrick, movie lovers and fans of The Shining will adore this movie. All others will moderately enjoy it. Interesting nonetheless. Check er out!

Solid four-star film (maybe could even creep up into the five star territory). This didn't feel like a movie, it felt like a personal documentary. Great script (simplistic), wicked action, seamless, detailed direction by Bayona (you must see THE ORPHANAGE) and great cinematography by Oscar Faura - are working on all gears to pump out just a great mind-blowing film. The tsunami sequence is just amazing, and the attention to detail is fantastic. And the acting (all of which was pulled from the director) is top notch - moreso than Watts and MacGregor, but the child actors as well. Check this out. Unbelievable film.

So much for that sophomore slump, eh Carruth? Another cool interesting sci-fi flick from Shane Carruth who directed the low-budget, thought-provoking time-travel film PRIMER. Since I’ve seen this film three months ago, I’ve tried to explain this movie to friends and family, but I just couldn't put it to words. Just like Carruth's other film, there's a lot going on and there are layers to each thought. Flowers, pigs, worms, hypnotism and robbery all come together to create a head-scratcher of a film, but in a good way. Not in a negative way. Keep it up Carruth. Keep the creative, thought-provoking films coming. One of the most thought-provoking films I've seen since, well, PRIMER.

This was a movie where I felt utterly flabbergasted, and dare I say jealous, when I left the theater. This is a great movie that not only had you on the edge of your seat from the very beginning, but shook you a little bit and made you take notice of your surroundings. At only 91 minutes, it quickly and efficiently packs a wallop, right in your gut. Everything from the cinematography to direction to plot (and let's not forget the special effects) are thought out in precision and combine to create a truly special film. Sure, the special effects take center stage, but Bullock carries the film as the sole actor, lest we forget Clooney's supporting role. I can't say enough about this film. Kudos to Cuaron for taking on such a crazy project. You can see the dedication and love of the craft in every frame. One more thing I can say, is that as soon as the movie ended, I didn't want to leave the theater, I didn't want to toss my 3D glasses in the bin at the door. I wanted it to start again so I could watch it again, and maybe again. It's been a long time since that's happened to me, let me tell you that.

I really enjoyed this film. Just like Nichols other film (TAKE SHELTER) you have to suspend disbelief a tiny bit to enjoy this special treat. All actors are 100 percent into their characters. Cinematography, dialogue, editing and art direction hit on all cylinders as well. In a sense, this movie is a perfect companion piece to Rob Reiner's STAND BY ME, which was based on a story by Stephen King. In a sense, MUD is a coming-of-age story between two boys in their early teens trying to maintain their youth as they deal with real-life adulthood issues such as divorce, violence, poverty, murder and true love. Again, this movie wouldn't have been as good if wasn't for the acting (e.g. McConaughey, Witherspoon, Sheperd, Shannon and the two youths Sheridan and Lofland). However, and more importantly, kudos should go to director Nichols who has put together two fantastic films that can't quite be placed into any specific genre - which is really cool. Check 'er out.

What a very creative, interesting thought-provoking film. With the exception to SAFETY NOT GUARANTEED and THE ADJUSTMENT BUREAU, this is one of the finest science-fiction romantic movies I've seen in quite some time. Very creative direction, screenplay, art direction and visual effects. The story, however, is what makes it stand apart. Two planets. Two loves. It's a like a Romeo and Juliet interplanetary love story. And the acting is just right. Not over the top. Very subtle. It's just a great film all-around. Highly recommended. Check er out.

Other 2013 top movie recommendations:

  • Before Midnight
  • Argo
  • Perks of Being a Wallflower
  • The Hobbit: An Unexpected Journey
  • Sinister
  • World War Z
  • Pacific Rim
  • Frances Ha
  • Zero Dark Thirty
  • Life of Pi
  • Sound of my voice
  • Looper
  • Trance
  • The Way, Way Back
  • End of Watch
  • Wreck-It-Ralph


CHECK OUT MORE OF EIMER'S FAVORITES:
  • Eimer's Favorites of 2011



Wednesday, February 22, 2012

Eimer's 2012 Academy Award Picks

First off, let me just say that no longer do I vote with my heart for these awards – because judging by past results - here, here and here - I’m always wrong.

 
However, after reading Freakonomics last year, I decided to take a statistical approach to solve the Oscar’s awards conundrum.

 
And, judging by last year’s17-7 record, I would say it worked.

 
So, with heart no longer hanging on my sleeve and tucked firmly behind my rib cage, I give to you – my loyal reader - my picks for the 2012 Academy Awards…

 
BEST PICTURE
  • War Horse
  • THE ARTIST
  • Moneyball
  • The Descendants
  • The Tree of Life
  • Midnight in Paris
  • The Help
  • Hugo
  • Extremely Loud & Incredibly Close
Eimer Note: Haven’t seen The Artist, yet (in all honestly I've only seen five of the best picture nominees). However, it just seems to me this is the one to lose. Personally, I loved Moneyball, The Descendants and Midnight in Paris. But, I’m leaning towards The Artist. And what's with Extremely Loud & Incredibly Close being nominated? Where's 50/50!

 
BEST ACTRESS
  • Glenn Close, Albert Nobbs
  • Rooney Mara, The Girl With the Dragon Tattoo
  • VIOLA DAVIS, THE HELP
  • Meryl Streep, The Iron Lady
  • Michelle Williams, My Week With Marilyn
Eimer Note: I hear Meryl Streep knocked it out of the park in The Iron Lady. But Viola Davis is getting much deserved praise for her role in The Help. Plus, she won every other award out there including a coveted SAG award.

 
BEST ACTOR
  • Demian Bichir, A Better Life
  • GEORGE CLOONEY, THE DESCENDANTS
  • Jean Dujardin, The Artist
  • Gary Oldman, Tinker Tailor Soldier Spy
  • Brad Pitt, Moneyball
Eimer Note: I’m going for Clooney to upset the favorite Jean Dujardin. Although I thought Pitt did a fantastic job in Moneyball, Clooney did an amazing job. In fact, I can’t wait to see this film again.

 
SUPPORTING ACTRESS
  • Berenice Bejo, The Artist
  • Jessica Chastain, The Help
  • Melissa McCarthy, Bridesmaids
  • Janet McTeer, Albert Nobbs
  • OCTAVIA SPENCER, THE HELP
Eimer Note: Although it would be nice to see Melissa McCarthy (Bridesmaids) pull in the gold, I’m going with Octavia Spencer for The Help. She already pulled in the SAG award, plus The Help is a good, wholesome story. Can’t see anyone else winning this one.

 
SUPPORTING ACTOR
  • Kenneth Branagh, My Week With Marilyn
  • Jonah Hill, Moneyball
  • Nick Nolte, Warrior
  • CHRISTOPHER PLUMMER, BEGINNERS
  • Max von Sydow, Extremely Loud & Incredibly Close
Eimer Note: I’m all for Jonah Hill getting this award. But he won’t. My vote is for Plummer who is a veteran screen actor that managed to get a plum role as an older, dying father who comes out of the closet after his wife dies. Very touching movie by the way.

 
BEST DIRECTOR
  • MICHEL HAZANIVICIUS, THE ARTIST
  • Alexander Payne, The Descendants
  • Martin Scorsese, Hugo
  • Woody Allen, Midnight in Paris
  • Terrence Malick, The Tree of Life
Eimer Note: In the past 63 years, only six directors who received the Director's Guild's feature film award have NOT won the Academy Award. So, the odds have it for The Artist director.

 
BEST ORIGINAL SCREENPLAY
  • Michel Hazanivicius, The Artist
  • Kristen Wiig and Annie Mumolo, Bridesmaids
  • WOODY ALLEN, MIDNIGHT IN PARIS
  • J.C. Chandor, Margin Call
  • Asghar Farhadi, A Separation
Eimer Note: Damn, do I wish 50/50 was on this list. What a pity, because it was a great fucking film with great acting and great direction. Check it out. That said, I’m going with Woody Allen for Midnight In Paris. The reason, it’s a movie that celebrates writing and the writer’s of our past. Plus, it’s well acted and, well, original!

 
BEST ADAPTED SCREENPLAY
  • Alexander Payne, Nat Faxon and Jim Rash, The Descendants
  • John Logan, Hugo
  • George Clooney, Beau Willimon and Grant Heslov, The Ides of March
  • Steven Zaillian, Aaron Sorkin and Stan Chervin, Moneyball
  • Bridget O'Connor and Peter Straughan, Tinker Tailor Soldier Spy
Eimer Note: I’m going with The Descendants. Usually, the runner-up best picture candidate gets one of these awards. And, I’m thinking, they’ll honor this Payne’s film with this award rather than best picture (which it probably deserves).

 
BEST FOREIGN FEATURE
  • Bullhead
  • Footnote
  • In Darkness
  • Monsieur Lazhar
  • A Separation

Eimer Note: Everyone that has seen A Separation, has loved it. Also, it has made almost every film critics 2011 top-ten list. Again, I haven’t seen it, but I feel the wave is riding for A Separation.

 
BEST ANIMATED FEATURE
  • A Cat in Paris
  • Chico & Rita
  • Kung Fu Panda 2
  • Puss in Boots
  • Rango

Eimer Note: I’m still going to have to go with Rango on this one. Puss in Boots was good, not great. Kung Fu Panda 2 was also entertaining, but not best animated feature worthy. Like I said, in my review, I thought Rango was just so damn original. Plus, how can you go wrong with a hark back to the man, they myth Hunter S. Thompson.

 
ART DIRECTION
  • The Artist
  • Harry Potter and the Deathly Hallows Part 2
  • Hugo
  • Midnight in Paris
  • War Horse

Eimer Note: Although I’m sure Hollywood will probably eat up The Artist’s art direction, I’m going to have to go with Hugo on this one. By the looks of the film (which, again, I haven’t seen) it just seems to exude fantastic art direction. However, truth be told, Harry Potter was pretty damn interesting as well. I could see the Academy honoring the final Harry Potter film as well. But my heart is going with Hugo.

 
CINEMATOGRAPHY
  • The Artist
  • The Girl With the Dragon Tattoo
  • Hugo
  • The Tree of Life
  • War Horse

Eimer Note: Although I have mixed feelings about Tree of Life, I thought it was a beautifully shot film. Also, Emmanuel Lubezki (who shot Children of Men, The New World and Sleep Hollow) won the ASC (American Society of Cinematographer’s) award a couple weeks ago. My personal favorite would be for Dragon Tattoo to win. However, I’m sticking to the statistics this year.

 
COSTUME DESIGN
  • Anonymous
  • The Artist
  • Hugo
  • Jane Eyre
  • W.E.

Eimer Note: I think period pieces W.E., Jane Eyre and Anonymous will knock each other out of the competition. Which leaves us with HUGO and THE ARTIST. I'll probably have to go with The Artist. However, HUGO did have a great call-back scene to George Melies' A Trip to The Moon, which had pretty spectacular costumes. Shit, I just changed my own mind. I'm going with HUGO.

 
DOCUMENTARY FEATURE
  • Hell and Back Again
  • If a Tree Falls: A Story of the Earth Liberation Front
  • Paradise Lost 3: Purgatory
  • Pina
  • Undefeated

Eimer Note: So, one of my favorite documentaries of all time, Afghanistan-military doc Restrepo, failed to win best documentary last year. To make up for this injustice, I’m hoping that the Academy chooses Hell and Back Again. However, I’m also hearing that Undefeated and If A Tree Falls are pretty good as well. That said, I’m sticking with Afghanistan over football and the Earth Liberation Front.

 
DOCUMENTARY SHORT SUBJECT
  • The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
  • God Is the Bigger Elvis
  • Incident in New Baghdad
  • Saving Face
  • The Tsunami and the Cherry Blossom

Eimer Note: With The Help being nominated this year, I’m going with another civil rights short film, The Barber of Birmingham, to win an award as well. Haven’t seen any of the nominees, I’m just going with my gut.

 
FILM EDITING
  • Anne-Sophie Bion and Michel Hazanavicius, The Artist
  • Kevin Tent, The Descendants
  • Kirk Baxter and Angus Wall, The Girl With the Dragon Tattoo
  • Thelma Schoonmaker, Hugo
  • Christopher Tellefsen, Moneyball
Eimer Note: Film editing is a toughie. Before last year, I had picked every film-editing Academy Award winner since I've been picking Academy award winners. This year I’m going to have to go with Thelma Schoonmaker for Hugo. It just feels like Scorcese’s long-time editing collaborator is going to win for some reason. Again, would like to see The Girl With The Dragon Tattoo pick up something. But, alas, I don't see it happening.

 
MAKEUP
  • Martial Corneville, Lynn Johnston and Matthew W. Mungle, Albert Nobbs
  • Nick Dudman, Amanda Knight and Lisa Tomblin, Harry Potter and the Deathly Hallows Part 2
  • Mark Coulier and J. Roy Helland, The Iron Lady
Eimer Note: Period British pieces Nobbs and The Iron Lady will equal each other out. Thus, another Brit film, Harry Potter will win.

 
MUSIC (ORIGINAL SCORE)
  • John Williams, The Adventures of Tintin
  • Ludovic Bource, The Artist
  • Howard Shore, Hugo
  • Alberto Iglesias, Tinker Tailor Soldier Spy
  • John Williams, War Horse
Eimer Note: Sadly John Williams' two(!) nominations will equal each other out. So, I’m going with The Artist on this. Sure, everyone wants to vote for Williams. But, for a film that relies a lot on music and less on talk not to mention has been garnering such great reviews, how can you not go with Ludovic Bource?

 
MUSIC (ORIGINAL SONG)
  • "Man or Muppet" from The Muppets, Bret McKenzie
  • "Real in Rio" from Rio, Sergio Mendes, Carlinhos Brown and Siedah Garrett
Eimer Note: My stone-cold lock pick is Man or Muppet. I thought it was funny, entertaining and, since there are only two nominees, there can be only one! Check it out here.

 
SOUND EDITING
  • Drive
  • The Girl With the Dragon Tattoo
  • Hugo
  • Transformers: Dark Side of the Moon
  • War Horse
Eimer Note: Fincher is a known perfectionist, even when it comes to his sound, special effects and cinematography, so I’m going with The Girl With The Dragon Tattoo. Truth be told, any of these could win. Don’t believe me? Check out this little GWTDT sound editing snippet I found on youtube.
SOUND MIXING
  • The Girl With the Dragon Tattoo
  • Hugo
  • Moneyball
  • Transformers: Dark Side of the Moon
  • War Horse

Eimer Note: Again, going with The Girl With The Dragon Tattoo on this one as well. But, again, any of these could legitimately win. Although Transformers could sweep both categories as well.

 
VISUAL EFFECTS
  • Harry Potter and the Deathly Hallows Part 2
  • Hugo
  • Real Steel
  • Rise of the Planet of the Apes
  • Transformers: Dark Side of the Moon

Eimer Note: I'm going to have to go with one of my fave films of last year Rise of the Planet of the Apes…although the dragon in Harry Potter was pretty freaking cool. Check out this ROTPOTA SFX snippet on YouTube

 
SHORT FILM (ANMATED)
  • Dimanche/Sunday
  • The Fantastic Flying Books of Mr. Morris Lessmore
  • La Luna
  • A Morning Stroll
  • Wild Life

Eimer Note: I'm going with Pixar’s La Luna since this has been the first time in a while that a Pixar film hasn’t been nominated for Best Animated Feature Film. I’m thinking the Academy will toss Pixar a bone in this category. Plus, judging by the little snippet found onYouTube (it will air before their Summer movie Brave), it looks cute, fun and interesting.

 
SHORT FILM (LIVE ACTION)
  • Pentecost
  • Raju
  • The Shore
  • Time Freak
  • Tuba Atlantic

Eimer Note: So, haven’t seen any of these either. However, I checked out this little snippet on YouTube and it seems like Tuba Atlantic is the way to go. It’s a bit quirky, a bit fun and a bit on the strange side with interesting enough cinematography. I’m going with this one with The Shore a strong second.

 
Well, there you have it. I'll post a re-cap on Monday to see how many categories I correctly picked.

 
See you then...